Cherianne Dawn, also known professionally as Cheryl Jenkins, is a UK-based artist whose work rests at the intersection of visual art and energetic healing. She calls herself an energy worker and visual translator—someone who creates not just with paint and pigment, but with frequency and intention. Her artistic process is quiet, focused, and grounded in the belief that art can shift energy and deepen connection to self. Using layered mark-making, natural materials, metallic accents, and symbols of alignment, her pieces become more than just visual compositions. They become containers of energy.
At the heart of Cherianne’s practice is a return to what art has always been—an ancient tool for transformation. In today’s world, that might mean a drawing on handmade paper placed in a quiet room, casting light and subtle movement as the sun changes. Or it could be a personal tattoo created through intentional dialogue with the wearer, a permanent symbol that holds space for change. In addition to creating and exhibiting her visual works, Cherianne offers alignment readings and creative workshops to help others find their own intuitive connection with artmaking. Her work, whether on canvas, skin, or paper, is all about remembrance—of presence, wholeness, and quiet transformation.
This particular piece—hand-coloured, monoprinted on handmade paper and embellished with gold leaf—is an example of Cherianne’s approach in action. It’s not titled in a conventional sense. Instead, she describes it through the vibration it holds:
“Believe in miracles, for they are all around and within us.
Bless your life, in all its ordinariness, as this is the place from which miracles bloom.”
The artwork doesn’t shout. It hums. Soft lines radiate outward like gentle echoes from a central source. Figures, or perhaps structures, rise from the bottom of the image—some defined by curves, others by sharp angles. It’s abstract, but not chaotic. There’s order here, the kind that doesn’t need to explain itself. Arcs and rays suggest motion, transmission, or maybe communication—something passing between the elements, or from them to us.
The metallic elements—particularly the gold leaf—catch and reflect light, changing the mood of the piece depending on where it’s placed. This isn’t accidental. Cherianne works with metallics intentionally, creating works that interact with the space they occupy. They’re alive in the sense that they evolve moment by moment. As the sun moves, the piece seems to respond.
Looking closely, you notice the layering. Under the defined black lines are subtle washes of warm and cool color—pale blues, muted oranges, soft greys. These ground the work, giving it dimension and emotional tone. They seem like memory, or dream—something felt more than seen.
This kind of layering isn’t just aesthetic. It mirrors how Cherianne channels energy into her work. She describes each mark as part of a communication, a translation of energetic guidance into physical form. Nothing is arbitrary. Even when the image appears spontaneous or abstract, it’s been built through a steady unfolding process. Each line, curve, symbol, or shimmer holds a specific purpose.
What separates her work from decorative art is intention. The piece is designed to hold space. You place it not just to look at, but to be with. It becomes part of the environment—subtle but supportive. Its function is to remind the viewer, quietly and consistently, of presence. Of the sacredness in the ordinary.
Cherianne doesn’t give strict interpretations of her images. She leaves space for the viewer to respond—to feel, rather than to understand. That said, each piece comes with a vibration or message, often channeled during its creation. This one speaks to the reality of miracles—not as big, dramatic events, but as quiet unfoldings in daily life. The reminder is gentle but firm: the sacred is not separate. It lives in routine, in breath, in the small. That’s where transformation begins.
In a world full of noise, Cherianne Dawn’s work offers a kind of stillness. It doesn’t try to impress. It tries to connect. And in doing so, it brings us back to ourselves.
